Nicole Kidman, the renowned Oscar-winning actress, is no stranger to portraying complex characters on screen. Her latest venture in the film 'Babygirl' is no different, as she steps into the shoes of a powerful CEO whose life spirals due to a passionate affair with a younger intern. Directed by Halina Reijn, the film offers a deep dive into themes of power, gender, and hidden desires. But it wasn't just the storyline that was challenging for Kidman; it was the filming process itself. Speaking candidly to The Sun, she opened up about the emotional rollercoaster of shooting intimate sex scenes that at times overwhelmed her.
Working alongside Antonio Banderas, who plays her husband, and Harris Dickinson, the young intern, Kidman found herself exploring new emotional and physical territory on set. 'Babygirl' demanded a level of vulnerability and intensity that occasionally crossed the line into discomfort. She described moments on set where the boundary between acting and real emotion blurred. 'There was an enormous amount of sharing and trust,' she stated, reflecting on the complex dynamics between her and her co-stars. However, this shared experience often led to moments of fatigue and burnout. More than once, Kidman reached a point where she declared, 'I don't want to orgasm anymore. Don't come near me. I hate doing this.' These words underscore the psychological weight some roles can carry, especially those that require actors to strip down not just physically but emotionally.
Despite the challenges, Kidman was drawn to 'Babygirl' precisely because it presented an opportunity to explore an area she had not yet navigated as an actress. Known for her versatility, Kidman is always in search of roles that push her boundaries. 'I've always been on a quest as an actor,' she explained, 'to go where I have not been and explore as a human being.' 'Babygirl' was a perfect fit, taking her into the uncharted waters of sexual dynamics and emotional complexity. Her performance is already receiving positive attention, having premiered at the Venice Film Festival where she clinched the Best Actress award. Geoffrey Macnab from The Independent commended her, noting that Kidman 'digs much deeper' into her character than in prior roles.
Director Halina Reijn also played a critical role in shaping Kidman's performance. Reijn, known for her fearless approach to difficult subjects, brought out the best in Kidman. Her direction allowed Kidman to embody a headstrong, independent woman whose sexual submissiveness is portrayed with nuance, not weakness. Reijn's vision for 'Babygirl' included delving into the multi-faceted power dynamics between the protagonist and her lover. 'Despite its forbidden nature, the joy of that exploration is liberating, even healing,' Reijn described, highlighting how the film allowed its characters to confront and play out confusion around power, gender, and primal instincts. By framing the affair this way, both Reijn and Kidman invite audiences to question conventional narratives around desire and power.
As anticipation builds for the film’s public release on January 10, 2025, audiences are eager to see how Kidman's exploration of unfamiliar emotional landscapes translates on-screen. 'Babygirl' promises to be more than just a tale of passion; it is an examination of modern relationships and the boundaries of personal and professional crises. With its thought-provoking narrative and strong performances, the movie is set to be both a critical and commercial hit. Kidman's candid reflections on her experiences highlight the often unspoken challenges actors face when roles demand such intense emotional investment. Through 'Babygirl', she continues to blur the lines between personal growth and professional artistry, contributing once again to her legacy in the film industry.
Written by Lara Whitfield
View all posts by: Lara Whitfield